The marriage plot was a common
literary device in Victorian literature. It is exactly what it sounds like-a
story line revolving around making a proper marriage. In these more modern
times when marriages are more emotional compacts than social contracts, the
marriage plot as such is no longer a valid device. However, as the title
implies, Eugenides is making an attempt to give new life to an outmoded plot
frame.
As I’m writing I’m still trying
to decide if I like the story or not – never a good sign. It seems to be a
story about the main character, Madeline, making a good marriage. There are two
men involved, Leonard and Mitchell. And, I’ve got to tell you, if I’d been
Madeline, I’d have chosen none of the above.
Mitchell, on the day he meets
Madeline, determines to marry her, but does little to achieve this despite
early encouragement from her. Deciding
to marry Madeline is a longer, slower process for Leonard. A large portion of
the book is spent analyzing the agonies endured by Leonard due to ill-controlled
manic-depression. Another large portion is devoted to Mitchell’s travels
abroad, his work volunteering for Mother Teresa, and his spiritual development.
I would have liked to have seen
more about Madeline and her relationship with Mitchell, and less about the
details of coping with the day to day trauma of Leonard’s illness. This story felt very unbalanced to me. I know
a lot more about the men than I need to, and not enough about Madeline and her
motivations.
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